I co-shot, produced and edited this mini documentary on the legendary writer Gay Talese for The New Yorker.
I directed, produced and edited this trailer for Gary Shteyngart's book trailer for Little Failure. The trailer featured James Franco, Rashida Jones, and Jonathan Franzen, and was featured on Buzzfeed, NewYorker.com, Slate, Salon, and GQ.
I edited and produced this video featuring Theo Jansen's mystical wind-powered sculptures, which got over 1million views and was the first video ever to be the most-viewed item on NewYorker.com
As a toddler, Philly Mayer was healthy and happy. A chubby baby, he was quick to laugh and eager to get up on his own feet.
And then, before his first birthday, Philly suddenly stopped walking. His motor skills began to deteriorate. After a slew of tests and endless emotional upheaval, doctors diagnosed Philly with Spinal Muscular Atrophy. A Thousand More is the story of one family’s determination to give their son a whole and vital life. In the midst of a great burden, one small child – with a seemingly endless supply of love – can be the blessing that holds a family together.
I was one of three cinematographers who worked on this piece, and I also did the interviews. A Thousand More was nominated for a Webby.
Daphne Guinness “has been variously described in the press as an heiress, a muse, a socialite, a designer, and an artist.” In this video, Guinness gives an unorthodox tour of her New York City apartment and shows off the things that inspire her. I co-shot, produced and edited this profile of fashion icon and socialite Daphne Guinness for The New Yorker
A few years ago, Yolanda Cuomo, a legendary New York-based artist and graphic designer, learned that she had to vacate her Chelsea studio of twenty-five years. The studio, in an old carriage house in Manhattan, has been the site of artistic collaborations for decades, with artists and photographers from Richard Avedon to Laurie Simmons and Sylvia Plachy.
I edited this piece, and co-shot and co-produced it for The New Yorker. It recently screened at The Frontline Club in London.